fuad suk tried to sell me a 15 birr card for 20

Patterns, not incidents, make or break us.

It's been downhill ever since that one wallpaper, and it's hard to go back to it tail tucked between legs.

That reset your body goes through once it finally understands that you're not giving it the sleep it's been demanding, beautiful!

There's often this paradox in film wherein whenever a character watches something on a screen, it's to indicate that they're engaged in escapism. They're not doing it because the content is especially engaging, but because they're running away from something in their scenario, or even to use it as a time to ruminate on their thoughts (plenty plot changing ideas come to them during their screen time).

But at the same time they try to sell us, the viewers, that what we're watching is the most interesting story, not merely to escape into but to fully get immersed in.

Situating their universe, between ours and the one inside the film they watch, as the most riveting one.

I'm convinced people enjoy the show of status from eating ቁርጥ more than its actual taste.

Whatever አራዳ means in essence, Abdu Kiar is its quintessential example.

Fear is a betrayal of oneself.

I see why old people are very sensitive about being referred to as እርስዎ or አንተ/አንቺ.

We are as old as how people treat us.

ቆስጣ - off brand ጎመን።